• “A Vision of Growth” spans this wall in Coney Island, starting in nighttime darkness and moving into a cheery daytime beach scene.
  • After several painting activities, the team delivers its mural proposal to a packed, enthusiastic room.
  • Before they can begin painting, the youth artists must prime the wall with white paint.
  • With a few adorned with “I HEART NY” shirts, the team poses in front of a nearly complete mural.
  • A youth participant gives an impassioned speech on her time painting the mural.
  • It is just another day on the Coney Island boardwalk, as captured by the Groundswell artists.

Project Description

As part of Groundswell’s Summer Leadership Institute (SLI) 2008, artists Alex Pimienta and Jessica Poplawski worked with a team of youth to create a colorful mural celebrating the people, changing communities, and future of Coney Island. The mural features images of Coney Island landmarks surrounded by the richness and diversity of the community. The boardwalk and shore make up the right half of the piece, signifying the importance of the geographical location to Coney Island’s vitality. Street signs read “welcome” and note important street names near the beach. There is a child playing and a mother in traditional clothes carrying her child. Two boys play basketball while an artist paints the local sights and a couple enjoys a quiet moment. Finally, a scene depicts a child studying science. This signifies the Coney Island of the future, when children of the neighborhood will grow to be tomorrow’s leaders.

  • Inspired by Ernst Haeckel’s illustrations, “Eco Nova” is a revolutionary mural to many because of its abstraction.
  • The team quickly fell in love with the Brooklyn Botanic Garden, becoming genuinely curious about the natural environment. They were excited to go visit again.
  • An artist pauses in her painting to smile at the camera.
  • Sitting together, these three participants work on one of the final layers of “Eco Nova.”
  • With its clean, bold lines, the mural is an unconventional yet highly engaging work of art.
  • The team stands together at the dedication.

Project Description

“Eco Nova” is a large-scale abstraction of form and color. The bold choice of colors and shapes transforms the side entranceway of PS 503, making it a more inviting place for both the students and the residents on the block. The mural design is inspired by microscopic organisms from Ernst Haeckel’s scientific illustrations, combined with the mural team’s sketches from a field trip to the Brooklyn Botanic Garden. The design is executed in a graphic, pattern-like composition with attention to positive/negative space through layering of the imagery. Plants and organisms are titled with their Latin names, encouraging the viewer to read more deeply into the mural. During the fabrication process, the mural unknowingly opened up a provocative conversation about the history of language. Even if passers-by did not immediately recognize the language as Latin, they were intrigued by the plant names’ similarity to words in Spanish and Italian. The use of color and composition transformed the space, and the team enjoyed an overwhelmingly positive response from the community to its abstract representation of natural forms.

  • The mural “Reaching New Heights” creates a beautiful “green” space with its bold palette and style.
  • Instead of focusing on shading, the team used blocks of luxuriously rich colors to capture the spirit of green spaces and Crown Heights.
  • The team worked on different sections of the wall at once. Long rulers were vital to painting the buildings.
  • The dedication was attended by the participants, their families, children, and people from the neighborhood. Speaking is Amy Sananman, Executive Director of Groundswell.
  • A composite view of the mural. “Reaching New Heights” sweeps across this long wall, creating a transformed urban scene.
  • Children play with a new burst of color behind them.

Project Description

As part of our Summer Leadership Institute 2008, Groundswell continued our ongoing partnership with The Trust for Public Land (TPL) to create a large-scale mural as part of TPL’s redesign of PS 221’s playground in Crown Heights, Brooklyn. The Trust for Public Land re-designs and transforms run-down or underused public spaces in New York, turning them into parks that become community assets. “Reaching New Heights” addresses the importance of creating accessible green spaces in the city. The bio-diversity depicted in the mural reflects the diversity of Crown Heights as a community. The mural celebrates nature and highlights the importance of green spaces in heavily built-up urban areas. In the mural, the imagery of trees, plants, and birds also showcases nature as a metaphor for a vision of the communities of Crown Heights living in harmony and balance. The panoramic canvas is designed in such a way that the first half of the 160-foot wall features the backs of the buildings flanking the courtyard. This area is overcast by stormy clouds. The second half features a park where the sky is clear with glistening sun rays.

  • The benches are located in the courtyard of the Hugh Gilroy Senior Center, in front of one of Groundswell’s previous mural projects.
  • The group study color and form before mapping out their mosaic design.
  •  The unique shape of the benches is created by casting cement in a mold.
  • The mural team presents the benches to the senior center at the dedication ceremony.
  • The artists’ design concentrates on color and movement.

Project Description

“Timeless Rhythm,” Groundswell’s first mosaic bench project, was created in partnership with the New York City Housing Authority (NYCHA) and the Hugh Gilroy Senior Center in the historic Weeksville area of Bedford-Stuyvesant, Brooklyn. The team designed four benches, adjacent to the “Weeksville Time Train” mural painted the previous summer by Groundswell youth. The design was inspired by the music enjoyed by the community’s senior citizens throughout their lives, including blues, gospel, and jazz. The youth artists experimented with color and contrast to create a sense of direction and movement. Different shapes present in the design are moved through space by the rhythm that the colors create. Throughout the project, the mural team focused on designing benches that would be comfortable to sit on as well as creating imagery that the senior citizens would like to see. The seniors were delighted with the benches and warmly expressed their gratitude. All attended a dedication ceremony, held in late spring to mark the enhancement of the senior center through the addition of the benches.

  • “New York is a Rollercoaster” transformed an unsightly subway tunnel into an inviting entrance.
  •  The team presents their mural proposal. The imagery and title for the mural were taken from the poem "New York is a Rollercoaster," written by youth artist Pury Soliver.
  • Prior to the completion of the mural, the underpass was a dark and unwelcoming tunnel. It now features a vivid tableau of the history and diversity to be found in Washington Heights.
  • On its journey, the train passes a Lenape Native American (an original tribe that lived in Manhattan); neighborhood artists; and Klezmer, Merengue, and Irish musicians.
  • This mural team can be seen in the rollercoaster – dynamic, boisterous, and bursting with energy.
  • The dedication was attended by Mayor Michael Bloomberg. Also in attendance was Community Affairs Unit Commissioner Nazli Parvizi, who explained, "This project does more than just beautify the neighborhood - it showcases the rich and diverse history of Washington Heights and provides inspiration for neighbors, young and old."

Project Description

In 2008, Groundswell collaborated with the New York City Department of Transportation and the Office of the Mayor to create “New York City is a Rollercoaster.” The team of muralists collectively designed a lively image to transform and revitalize the entrance way to a 900-foot-long subway underpass in Washington Heights. The mural presents the Number 1 train as New York’s rollercoaster, zooming around The Cloisters, past city workers, and over the George Washington Bridge. In August, the mural was officially unveiled by Mayor Bloomberg, who enthused that, "This is a wonderful example of how community members, City government, and the nonprofit sector can come together to help beautify a neighborhood and make New York City a better place to live. Public art has a way of transforming the landscape, creating dialogue, and bringing people together, and this mural has turned an underground tunnel into a beautiful work of art that the community can be proud of."

  • Banners that read “We Are Not Government Issued” and “Arm Yourself with the Knowledge to Think for Yourself” stream along the wall.
  • The team chose their theme due to personal interest and developed it through research sessions with guest speakers from Iraq Veterans Against the War, Service Women’s Action Network, American Friends Service Committee, and the United Nations.
  • The team became very close, engaging in substantive discussions with one another about the serious issues raised by the mural subject.
  • Depicted here is a woman wielding a paintbrush instead of a gun. She resonates deeply with the mission of Voices Her’d.
  • The participants line up during the dedication ceremony, which was well attended due in part to the interest generated by the mural’s topic from the media.
  • Voices Her’d Visionary Elizabeth Maroney explained, “Our mural is a creative tool that we are using to capture the attention of New Yorkers, and is intended to show that women and teens have a variety of options for their future aside from joining the military.”

Project Description

“Informed, Empowered” was created in 2008 as part of Groundswell’s Summer Leadership Institute by a group of young women participating in our Voices Her’d Visionaries program. During a spring seminar, Groundswell youth who exhibited leadership potential were invited to discuss several issues pertaining to young women in the world today. Many of the young artists wanted to address the issue of military recruiting and the targeting of youth in low-income areas. As a result of the No Child Left Behind Act 2001, military recruiters have access to high school students’ personal contact information, enabling them to approach young people not only in their schools but also within their own homes. Using a visual style inspired by wartime propaganda posters from around the world, the mural portrays three strong young women poised in classic military poses, armed not with violent weapons but with tools of creation and education. The mural attracted a great deal of interest from both the public and news outlets and will continue to make a bold statement for years to come.

  • Lead Artist Christopher Cardinale speaks passionately about the commitment of the team.
  • The entire wall is a powerful example of Groundswell’s work, both as a mural organization and as a youth empowerment program.

Project Description

In the spring of 2008, Groundswell partnered with the New York City Department of Correction to create “Incarcerated Minds,” a mural designed by students at the Austin H. MacCormick Island Academy High School on Rikers Island Correctional Facility. The mural depicts a group of inmates in a dormitory setting, with each one dreaming of life outside the jail. The team engaged in an ongoing dialogue with the artists throughout the process and drew many connections between themselves and the imagery of the mural. All realized that the mural made a significant impact on their living area. “Incarcerated Minds” generated enthusiasm from inmates, correction officers, the jail administration, and the high school staff. Principal Frank Dody commented that “the students worked collaboratively and evidenced great pride in the mural they created. The mural project gave students a voice in the jail community, and they learned an important life lesson about the strength of working as a team to create a product. In this case, the product is their message of hope for productive futures.”

  • "Water is the LIfe of NYC" depicts the New York water cycle.
  • Two reservoirs in upstate New York are the main source of New York City’s water supply.
  • The youth participants visited upstate New York to see first hand the source of New York City's water.
  • Youth participants pause in their painting to smile for the camera.
  • The completed mural is four stories high.
  • The dedication ceremony brought together youth participants with community leaders.
Water is the Life of NYC 2Water is the Life of NYC

Project Description

As part of our Summer Leadership Institute (SLI) 2008, Groundswell artists worked with a team of youth to create a monumental mural illustrating the New York water cycle. The system of delivery of water from rural New York to New York City is depicted in an effort to make New Yorkers more aware of the preciousness of their water. The allegorical figure of Mother Nature hovers over the two main reservoirs that serve as New York City’s water supply. The Sandhogs, the urban miners who maintain the tunnels which bring water to the city, are shown digging a third water tunnel. Elements of the urban and rural environments are presented together in harmony. Simultaneously, the central image and focal point of the mural encourages viewers to drink tap water in reusable bottles. The dedication ceremony for the finished four story mural brought together youth participants and their families, as well as community members and city officials, including Department of Environmental Protection Commissioner Emily Lloyd.

  • “The Legacy of Mother Cabrini: Story of Immigration” captures Mother Cabrini’s spirit and celebrates all that has resulted from her work.
  • Artist Yana Dimitrova adds detail to one of the painted columns dividing the mural into five parts.

Project Description

In 2012, the Society of the Citizens of Pozzallo partnered with Groundswell to create a mural honoring Mother Francesca Cabrini. Working through the Catholic Church, Mother Cabrini dedicated her life to helping poor Italian immigrants. During her life, she established over 60 Institutes of Missionaries of the Sacred Heart of Jesus throughout the United States, including her first project, an orphanage in New York City. The mural’s location on the side of Arriana Condominium in the heart of Carroll Gardens is significant because of the strong impact of the Italian and Sicilian community on the development of the area. As the neighborhood has grown and changed, this mural helps celebrate the history and legacy of the local community.

  • The mosaic frames the doorway of a BRC transitional housing residence on the Lower East Side.
  • Residents of Casa de los Vecinos arrange colorful glass tiles onto the mosaic design.
  • The proud mosaic group at the dedication ceremony.
  • “BRC” is highlighted on the archway, above the door.

Project Description

Through Groundswell’s Segue program, juvenile offenders worked with artist Jess Poplawski to create a mosaic for the entryway of Casa de los Vecinos, a transitional housing residence for individuals living with mental illness. The mosaic welcomes all to Casa de los Vecinos with a message of hope, health, and home. The design, featuring budding trees with red flowers and fruit, frames the facility’s doorway and accentuates the architecture and moldings of the building on Pitt Street.

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