• The team poses with its mural, inspired by the powerful work of contemporary artist Kehinde Wiley.
  • After the outline is complete, the youth work to paint in the colors.
  • This woman breaks the fourth wall, interacting with the viewer in a personal way.
  • In preparation for the mural design, the students participated in drawing sessions at the Brooklyn Botanic Gardens.
  • Observational drawings of a variety of plants from the Brooklyn Botanic Garden were turned into abstract designs. These evolved into stencils that were used in the background of the mural.

Project Description

Groundswell partnered with the Brooklyn Museum and the Brooklyn Academy of Science and the Environment (BASE) to create a mural for the elevator bay of the fifth floor of Prospect Heights High School. The mural, entitled “BASE Family - An Environmental Partnership,” was conceptualized, designed, and painted by ninth and tenth grade students. These students worked with Groundswell artists to bring their collective vision to life. The project began with a series of trips to the Brooklyn Museum to see a gallery talk and an exhibition of paintings by contemporary artist Kehinde Wiley. The students studied the process behind Wiley's portraits of African American men from the streets of Harlem in poses that reference classical Western portraits. Wiley's paintings inspired the students to use portraiture to represent unique aspects of their high school in the mural. As in Wiley's paintings, the background of the mural is filled with organic design motifs taken from art and architecture from around the world.

  • Because the wall was over 100 feet in length, the group broke up into three separate teams. Together, these three teams chose recreation as their focus.
  • After painting the backgrounds, the teams each worked in smaller sections. Here, an artist paints girls playing basketball.
  • The wall was small, but the artists made the most of the space they had.
  • In order to complete this mural, the team had to cooperate, and they did so wonderfully.
  • Now that the painting is complete, no time is wasted before the basketball court is in use again.

Project Description

Groundswell partnered with PS 38 in Brooklyn to complete a mural for the school’s outdoor play yard, which is enjoyed by both student and community members alike. The mural team chose to focus on the theme of recreation and community interaction for the mural. The first section features a series of vignettes celebrating young people playing. Linking the vignettes is an image of a running track that curves and weaves its way through this portion of the mural. The track reappears across the school yard in a second section which features girls playing basketball, a testament to women's success in traditionally male dominated roles. From the image of the basketball players, the mural then depicts a community garden, a girl running, and two elderly men playing dominos next to a chessboard. The mural ends with a long ultramarine wall featuring cropped images of basketball jerseys and sneakers.

  • “Follow Your Vision” seeks to inspire the students at MS 399. Featured here are Iris Baez and Kadiatou Diallo, both of whom are New York City activist fighting against police brutality.
  • A young girl paints Wangari Maathai, a Kenyan environmentalist and Nobel Peace Prize winner.
  • The figures climbing the mountain represent the children becoming their own stars of leadership.
  • “Follow Your Dreams” is almost complete. All that is left is finishing touches and more details on the portraits.
  • A complete list of all the individuals included in the mural.
  • The mural’s style combines hyper realistic portraits with the graphic boldness of a storybook.

Project Description

“Follow Your Vision” is inspired by the dual themes of “leadership” and “career visions.” The youth artists included students from the Youth-for-R.E.A.L. afterschool program at MS 399 and nearby PS 33. Staff and interns from Youth-for-R.E.A.L. also volunteered to help paint. During the mural design process, the youth researched a variety of historical and contemporary leaders, with an emphasis on Black and Latino leaders in order to reflect the demographics of the local community. The students learned how leadership can take many different forms and how people can show leadership in whichever profession they have chosen. The mural includes portraits of fourteen important Black and Latino leaders from different geographic backgrounds and walks of life. Equal numbers of men and women are represented. A numbered star next to each portrait corresponds to a key that lists the name of each individual and a brief description of what s/he is known for. Significant figures featured in the mural include Nelson Mandela, Rosa Parks, Dr. Martin Luther King, Jr., and Oscar de la Renta.

  • This poster calls for the end of gentrification and the harm it does to the community.

Project Description

Groundswell artist Christopher Cardinale worked with youth and adult members of Families United for Racial and Economic Equality (FUREE). Together, they designed a poster for FUREE’s Downtown Campaign to organize community members around the real estate development of Downtown Brooklyn. Cardinale discussed the concept over several sessions with FUREE members and organizers before finalizing the poster design. The poster depicts residents of Brooklyn rising up to preserve the integrity of their neighborhoods and fight development that leaves populations displaced. Underneath the image, the poster proclaims “Stop Gentrification in Brooklyn!” It is a powerful statement said on behalf of community residents who feel pressured to leave by developers seeking to build condos. The residents are portrayed as people of color and the developers as white to illustrate the racial tension often involved in gentrification.

  • “Building Better Tomorrows” connects with “Feels Like Home: An Immigrant’s Journey,” a mural completed the previous summer through Groundswell’s Voices Her’d Visionaries program. Here, a group of men engage in labor-intensive work.
  • The second wall depicts a tropical environment. The boy featured wears a mask common to the carnival celebrations of the Dominican Republic.
  • In this section of the mural, the youth artists celebrate the businesses that immigrants have built in the community. A family ties up Chinese lanterns.
  • In the fifth wall, three men look into the distance, envisioning leaving their respective countries and hoping for greater opportunity. But bureaucracy may intimidate, impede, or prevent immigrants from entering the country.
  • The Making His’tory team developed this thoughtful mural to engage passers-by in a conversation about immigration.

Project Description

 
As one of six projects created through Groundswell’s Summer Leadership Institute in 2007, young men in our Making His’tory program explored what it means to be an immigrant father in Brooklyn. The team then transformed this investigation into a monumental mural for PS 24, a bilingual public school in Sunset Park that primarily serves children of Latin American immigrants. The mural is comprised of thirteen separate walls, which together illustrate the journey of male immigrants to the United States. In the first, a silhouette of a father holds his baby against the background of a sunset. The next eleven walls address issues such as frustration at not knowing English, the challenge of building a new community outside of one’s homeland, and accessing new opportunities. In the thirteenth and final wall, a child sits on a stack of books. He holds a key that represents the opportunity that his father has afforded him by immigrating. A sunrise in the background evokes a better tomorrow for immigrant families.

  • Each plaque was installed at the entrance of a Fifth Avenue Committee housing development.

Project Description

Groundswell artist Mauricio Trenard designed and fabricated 50 plaques for the entrances to Fifth Avenue Committee housing developments in Brooklyn.

  • The two thought-provoking banners were created for the lobby of the High School for Leadership and Public Service.
  • The team prepares its materials before the youth artists get ready to work on the mural.
  • After going over their sketches with black paint, the artists paint the base colors of the design.
  • The crowd at the center of the south banner hugs each other in support and unity.
  • Gaining a good education is the best way to move forward and beyond one’s circumstances, as shown in this banner.
  • At the dedication, the team presents its stunning artwork meant to beautify the school’s lobby.

Project Description

Groundswell partnered with students at the High School for Leadership and Public Service to produce two banners for the school’s lobby. The youth muralists developed themes that they felt illustrated the unique qualities of their education. The left banner, hung on the south side of the lobby, portrays students eating words out of a book, evoking a“Hunger for Knowledge.” In the center, a group of students embrace below a cloud raining the word “knowledge.” The right banner, hung on the north side of lobby, illustrates the phrases “A Sense of Being Trapped” and “A Burning Desire to Achieve.” In this banner, a girl looks in a mirror and reaches out to her reflection in imprisonment. The students wanted to show that, although some situations may be difficult, education can bring rebirth to students who put their minds to their studies.

  • The street sign designed by students from MS 210.

Project Description

Groundswell and the New York City Department of Transportation (NYC DOT) designed the Traffic Safety Sign Residency Program to engage public school students in exploring traffic safety information through the creation of original street signs. Signs designed collaboratively by students at each of our partner schools are digitally rendered by Groundswell artists, fabricated by NYC DOT’s Sign Shop, and temporarily installed in local locations students identify as in need of traffic signage. Through this program, students learn how signs and symbols can work to communicate ideas and explore visual art techniques to develop graphic images. These signs then help increase safety awareness and prevent accidents in locations around each school community. Through symbols, MS 210 students urge viewers to observe street signs in order to keep themselves safe.

  • The mural adds fresh color and natural imagery to the walls of the Future Leaders Institute.
  • The other side of the mural, featuring the moon and the sea.
  • A trio of wildflowers, with their petals blowing in the wind.

Project Description

“Future Leaders” was created in one day by volunteers from Deloitte during a corporate volunteer opportunity at The Future Leaders Institute Charter School in Harlem. The mural features a vast blue sky over rolling green hills. At one end is a group of figures, admiring the beautiful scenery. The playful colors and emphasis on nature make “Future Leaders” an uplifting addition to the school and an inspiring mural for the students to see each day.

  • The mural overlooks a new playground, complete with a basketball court.
  • The mosaics featured in “The Four Seasons” started as fanciful construction paper collages.
  • Each of the mosaics tells a micro-story about the season it highlights, using whimsy and bird imagery.
  • The main character in “The Animation State” meets many friends along his/her journey through imagination, including peace, unity, and progress.
  • After painting the beautiful “The Animation State,” the SLI team gathers for a group photo.
  • Over the course of the mural, the main character experiences nature, music, sports, and dancing. Eventually his/her path leads into the school building.

Project Description

Through “The Animation State,” alumni from the Future Leadership Institute returned to their school to paint a mural celebrating the role of imagination in self-discovery. The youth artists opted to create a mural without straightforward historical or cultural iconography. As many had a strong interest in animation and cartoons, the group selected this style to tell its story. The mural’s title, “The Animation State,” illustrates the freedom animated people enjoy compared to their real-world counterparts. A child with pajamas – the main character – leaves behind a black and white world to enter a colorful world where (s)he travels through fantastic places and meets with fun and welcoming friends. “The Animation State” looks over a newly re-designed playground built by The Trust for Public Land and is adjacent to “The Four Seasons,” a series of mosaics by Groundswell youth artists. “Nature’s Song,” a mural led by Groundswell artist Cornell Jones, is located on the 122nd Street entrance to the school.

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